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Structure

The story of Burgoyne’s invasion of 1777 seems to have been written by the most diligent and talented student of Aristotle and the Hollywood paradigm. It takes us on a roller-coaster ride from one turning point to another--beginning with a humiliating defeat and ending with a glorious victory--skillfully employing a number of dramatic device, such as: ticking clock, suspense, “Complication and Unraveling”, and “Reversal and Recognition.” It delivers a complete dramatic arc in a three-act structure with an Inciting Incident (beginning of the invasion), Plot Point I (the humiliating and chaotic abandonment of Fort Ticonderoga), Plot Point II (Bennington and the second appointment of Gates) and a complex Climax or the final confrontation (the spectacular victories at Freeman’s Farm and Bemis Heights). It arises “pity and fear” in order to cleanse off them during  the catharsis of Saratoga; or--to put it in more contemporaneous terms--it makes you laugh and cry. It is driven by a multi-layered conflict that plays itself out on the highs of the fight for freedom as much as in the low, dark depths of petty personal politics, unfulfilled ambitions, jealousy and rivalry. It is full of rich, three-dimensional characters. And it leaves you with a number questions to ponder upon, a hypothetical one among them: what would have happened had Burgoyne won at Saratoga?

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